COLLABORATIONS & RESEARCH
Design (and beyond) collaborations projects.WEB DESIGN
EDITORIAL DESIGN
MOTION / RESEARCH / WEBSITE
Projects exploring technology and digital media through design practice.
DWD AUCTION
Website & Social Media CampaignDonateWithDignity.auction is a non profit online event ideated by the students of Fontys Pulsed (Eindhoven).
The project’s aim is to sell work from the students trough an auction in order to collect profit to support the people in Lebanon.
The identity and social media campaign focuses on higlhlighting the event details and contents, promoting the website launch, where anyone could bid to buy art and design articles.
The design and development of the website and promotion posts were created in collaboration with Zeynep Gursel and Luca Pupulin.
2021 / Website designed by Current Affairs Collective. Project developed independently by Fontys Pulsed
Concept, design and motions by Current Affairs Collective.
Concept, design and motions by Current Affairs Collective.
THE MUTALIST
Music Album Booklet
This book serves to provide complementary visual art and poetry to The Mutalist, an ambient music project directed and produced by Max Frimout, a musician from Eindhoven (NL), with a background in engineering physics.
His methods for music production include the use of analog modular synthesis, field recording, composing with algorithms, digital processing of acoustical instruments and more.
2020 / Digitally printed booklet. Project developed independently by Max Frimout.
Pictures by Nihal Goel, Thom van Alebeek, Stefan van Gijsel, Koen Reerink.
Pictures by Nihal Goel, Thom van Alebeek, Stefan van Gijsel, Koen Reerink.
HOW A CITY LISTENS
Onomatopee Footnotes
Eindhoven
Footnotes is a year long project that means to engage and disseminate research
related to the presence of technology in our smart city. This zine Is
the last of five publications exploring what It means to live in a city of the
future. The topics covered while local, tie into the wider global debate
surrounding big data and citizenship.
In this
edition sound is used to understand the presence of microphones in our streets.
Two case studies have been used to demonstrate the difference between amplification
and capture in public space. Where do we collectively stand when our voices are
seized and uploaded to the network?
